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  • Projected in 1950 by the Brazilian and Italy born modernist architect as the couple’s home, the Glass House today holds part of their particular art collection that they acquired throughout the years.<br />
<br />
With its harmonies of light and geometry, density and apparent weightlessness, Casa de Vidro [Glass House], by Lina Bo Bardi (Rome, Italy, 1914 – São Paulo, Brazil, 1992) in Morumbi, São Paulo, is one of the most beautiful of all architect’s homes. It is also, certainly, one of the most important works of 20th-century Latin American architecture, forging ideas and motifs that would later be extended and reworked in projects as MASP – Museu de Arte de São Paulo (1957–1968), along the Avenida Paulista, and the SESC Fábrica da Pompeia (1977), a huge multidisciplinary complex, on the site of an old factory. Casa de Vidro was completed in 1951, the year of Bo Bardi’s naturalisation as a Brazilian, roughly five years after her relocation from a devastated Italy. Lina Bo once wrote, following the war, that ‘in Europe man’s house is now rubble’1. But just as much as the ruin allegorises loss, Casa de Vidro looks out onto its forest surrounds with a defiant sense of optimism, symbolising rebirth and renewal. It seems to be both grounded within and floating above its environment, combining a stability and lightness similar to that which Bardi achieved with the freestanding space in MASP and her glass panes, designed to display artworks in the Museum.
    Glass House-Lina Bo Bardi-0001.jpg
  • Projected in 1950 by the Brazilian and Italy born modernist architect as the couple’s home, the Glass House today holds part of their particular art collection that they acquired throughout the years.<br />
<br />
With its harmonies of light and geometry, density and apparent weightlessness, Casa de Vidro [Glass House], by Lina Bo Bardi (Rome, Italy, 1914 – São Paulo, Brazil, 1992) in Morumbi, São Paulo, is one of the most beautiful of all architect’s homes. It is also, certainly, one of the most important works of 20th-century Latin American architecture, forging ideas and motifs that would later be extended and reworked in projects as MASP – Museu de Arte de São Paulo (1957–1968), along the Avenida Paulista, and the SESC Fábrica da Pompeia (1977), a huge multidisciplinary complex, on the site of an old factory. Casa de Vidro was completed in 1951, the year of Bo Bardi’s naturalisation as a Brazilian, roughly five years after her relocation from a devastated Italy. Lina Bo once wrote, following the war, that ‘in Europe man’s house is now rubble’1. But just as much as the ruin allegorises loss, Casa de Vidro looks out onto its forest surrounds with a defiant sense of optimism, symbolising rebirth and renewal. It seems to be both grounded within and floating above its environment, combining a stability and lightness similar to that which Bardi achieved with the freestanding space in MASP and her glass panes, designed to display artworks in the Museum.
    Glass House-Lina Bo Bardi-0002.jpg
  • Projected in 1950 by the Brazilian and Italy born modernist architect as the couple’s home, the Glass House today holds part of their particular art collection that they acquired throughout the years.<br />
<br />
With its harmonies of light and geometry, density and apparent weightlessness, Casa de Vidro [Glass House], by Lina Bo Bardi (Rome, Italy, 1914 – São Paulo, Brazil, 1992) in Morumbi, São Paulo, is one of the most beautiful of all architect’s homes. It is also, certainly, one of the most important works of 20th-century Latin American architecture, forging ideas and motifs that would later be extended and reworked in projects as MASP – Museu de Arte de São Paulo (1957–1968), along the Avenida Paulista, and the SESC Fábrica da Pompeia (1977), a huge multidisciplinary complex, on the site of an old factory. Casa de Vidro was completed in 1951, the year of Bo Bardi’s naturalisation as a Brazilian, roughly five years after her relocation from a devastated Italy. Lina Bo once wrote, following the war, that ‘in Europe man’s house is now rubble’1. But just as much as the ruin allegorises loss, Casa de Vidro looks out onto its forest surrounds with a defiant sense of optimism, symbolising rebirth and renewal. It seems to be both grounded within and floating above its environment, combining a stability and lightness similar to that which Bardi achieved with the freestanding space in MASP and her glass panes, designed to display artworks in the Museum.
    Glass House-Lina Bo Bardi-0006.jpg
  • The boutique  and shop offers a wide range of products from a variety of worlds. The City of Wine, Bordeaux, France. Architect: CitÈ du vin in Bordeaux. Atelier 16- Architectures, Laurent Karst; 2016.
    Cité du Vin in Bordeaux by France X...jpg
  • Run by the Nicolas Lascombes group, the seventh floor is home to the panoramic restaurant Le 7. The City of Wine, Bordeaux, France. Atelier 16 Architectures, Laurent Karst, 2016.
    Cité du Vin in Bordeaux by France X...jpg
  • Run by the Nicolas Lascombes group, the seventh floor is home to the panoramic restaurant Le 7. The City of Wine, Bordeaux, France. Atelier 16 Architectures, Laurent Karst, 2016.
    Cité du Vin in Bordeaux by France X...jpg
  • Run by the Nicolas Lascombes group, the seventh floor is home to the panoramic restaurant Le 7. The City of Wine, Bordeaux, France. Atelier 16 Architectures, Laurent Karst, 2016.
    Cité du Vin in Bordeaux by France X...jpg
  • Latitude 20 global wine cellar more than 14,000 bottles, 800 wines from more than 70 countries across the globe.The City of Wine, Bordeaux, France.  Atelier 16- Architectures, Laurent Karst; 2016.
    Cité du Vin in Bordeaux by France X...jpg
  • Latitude 20 global wine cellar more than 14,000 bottles, 800 wines from more than 70 countries across the globe.The City of Wine, Bordeaux, France.  Atelier 16- Architectures, Laurent Karst; 2016.
    Cité du Vin in Bordeaux by France X...jpg
  • Latitude 20 global wine cellar more than 14,000 bottles, 800 wines from more than 70 countries across the globe.The City of Wine, Bordeaux, France.  Atelier 16- Architectures, Laurent Karst; 2016.
    Cité du Vin in Bordeaux by France X...jpg
  • Latitude 20 global wine cellar more than 14,000 bottles, 800 wines from more than 70 countries across the globe.The City of Wine, Bordeaux, France.  Atelier 16- Architectures, Laurent Karst; 2016.
    Cité du Vin in Bordeaux by France X...jpg
  • Snack bar on the buildings ground floor.The City of Wine, Bordeaux, France. Architect: CitÈ du vin in Bordeaux ;  Atelier 16- Architectures, Laurent Karst; 2016.
    Cité du Vin in Bordeaux by France X...jpg
  • Latitude 20 global wine cellar more than 14,000 bottles, 800 wines from more than 70 countries across the globe.The City of Wine, Bordeaux, France.  Atelier 16- Architectures, Laurent Karst; 2016.
    Cité du Vin in Bordeaux by France X...jpg
  • Latitude 20 global wine cellar more than 14,000 bottles, 800 wines from more than 70 countries across the globe.The City of Wine, Bordeaux, France.  Atelier 16- Architectures, Laurent Karst; 2016.
    Cité du Vin in Bordeaux by France X...jpg
  • Latitude 20 global wine cellar more than 14,000 bottles, 800 wines from more than 70 countries across the globe.The City of Wine, Bordeaux, France.  Atelier 16- Architectures, Laurent Karst; 2016.
    Cité du Vin in Bordeaux by France X...jpg
  • Latitude 20 global wine cellar more than 14,000 bottles, 800 wines from more than 70 countries across the globe.The City of Wine, Bordeaux, France.  Atelier 16- Architectures, Laurent Karst; 2016.
    Cité du Vin in Bordeaux by France X...jpg
  • Arsenale Exhibition-Reporting from t...jpg
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  • Interior view of pavilion displays and installations with visitors. Unfinished - Spain Pavilion at XV Venice Biennale 2016, Venice, Italy. Architect: Iñaki Carnicero and Carlos Quitans , 2016.
    Unfinished- Spanish Pavilion XV Veni...jpg
  • Interior view of pavilion displays and installations with visitors. Unfinished - Spain Pavilion at XV Venice Biennale 2016, Venice, Italy. Architect: Iñaki Carnicero and Carlos Quitans , 2016.
    Unfinished- Spanish Pavilion XV Veni...jpg
  • Interior view of pavilion displays and installations with visitors. Unfinished - Spain Pavilion at XV Venice Biennale 2016, Venice, Italy. Architect: Iñaki Carnicero and Carlos Quitans , 2016.
    Unfinished- Spanish Pavilion XV Veni...jpg
  • Interior view of pavilion displays and installations with visitors. Unfinished - Spain Pavilion at XV Venice Biennale 2016, Venice, Italy. Architect: Iñaki Carnicero and Carlos Quitans , 2016.
    Unfinished- Spanish Pavilion XV Veni...jpg
  • Interior view of pavilion displays and installations with visitors. Unfinished - Spain Pavilion at XV Venice Biennale 2016, Venice, Italy. Architect: Iñaki Carnicero and Carlos Quitans , 2016.
    Unfinished- Spanish Pavilion XV Veni...jpg
  • Interior view of pavilion displays and installations with visitors. Unfinished - Spain Pavilion at XV Venice Biennale 2016, Venice, Italy. Architect: Iñaki Carnicero and Carlos Quitans , 2016.
    Unfinished- Spanish Pavilion XV Veni...jpg
  • Interior view of pavilion displays and installations with visitors. Unfinished - Spain Pavilion at XV Venice Biennale 2016, Venice, Italy. Architect: Iñaki Carnicero and Carlos Quitans , 2016.
    Unfinished- Spanish Pavilion XV Veni...jpg
  • Interior view of pavilion displays and installations with visitors. Unfinished - Spain Pavilion at XV Venice Biennale 2016, Venice, Italy. Architect: Iñaki Carnicero and Carlos Quitans , 2016.
    Unfinished- Spanish Pavilion XV Veni...jpg
  • Interior view of pavilion displays and installations with visitors. Unfinished - Spain Pavilion at XV Venice Biennale 2016, Venice, Italy. Architect: Iñaki Carnicero and Carlos Quitans , 2016.
    Unfinished- Spanish Pavilion XV Veni...jpg
  • Interior view of pavilion displays and installations with visitors. Unfinished - Spain Pavilion at XV Venice Biennale 2016, Venice, Italy. Architect: Iñaki Carnicero and Carlos Quitans , 2016.
    Unfinished- Spanish Pavilion XV Veni...jpg
  • Interior view of pavilion displays and installations with visitors. Unfinished - Spain Pavilion at XV Venice Biennale 2016, Venice, Italy. Architect: Iñaki Carnicero and Carlos Quitans , 2016.
    Unfinished- Spanish Pavilion XV Veni...jpg
  • Interior view of pavilion displays and installations with visitors. Unfinished - Spain Pavilion at XV Venice Biennale 2016, Venice, Italy. Architect: Iñaki Carnicero and Carlos Quitans , 2016.
    Unfinished- Spanish Pavilion XV Veni...jpg
  • Interior view of pavilion displays and installations with visitors. Unfinished - Spain Pavilion at XV Venice Biennale 2016, Venice, Italy. Architect: Iñaki Carnicero and Carlos Quitans , 2016.
    Unfinished- Spanish Pavilion XV Veni...jpg
  • Interior view of pavilion displays and installations with visitors. Unfinished - Spain Pavilion at XV Venice Biennale 2016, Venice, Italy. Architect: Iñaki Carnicero and Carlos Quitans , 2016.
    Unfinished- Spanish Pavilion XV Veni...jpg
  • Interior view of pavilion displays and installations with visitors. Unfinished - Spain Pavilion at XV Venice Biennale 2016, Venice, Italy. Architect: Iñaki Carnicero and Carlos Quitans , 2016.
    Unfinished- Spanish Pavilion XV Veni...jpg
  • Interior view of pavilion displays and installations with visitors. Unfinished - Spain Pavilion at XV Venice Biennale 2016, Venice, Italy. Architect: Iñaki Carnicero and Carlos Quitans , 2016.
    Unfinished- Spanish Pavilion XV Veni...jpg
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  • Bordeaux-Urban Renovation - Genicart...jpg
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  • UK Pavilion Astana Expo2017-Asif Kha...jpg
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  • Walden 7-Ricardo Bofill Taller de Ar...jpg
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